LIME — MARSHIVERN

その人を形づくるものTHE CORE

幼いころ、片方の稽古場では拳を、もう片方ではつま先を伸ばした。

空手にも、バレエにも、型があり、呼吸があり、崩してはいけない理由があった。

父から受け取った強さ。母の世界から知った、舞台の華。

どちらかをそのまま継ぐのではなく、その間に、自分の線を引いてきた。

型を知っているからこそ、飛び出す瞬間を恐れない。

As a child, in one practice hall she learned to drive a fist forward. In another, to extend through her toes.

Both karate and ballet had forms, breathing, and reasons not to break them.

Strength received from her father. The brilliance of the stage learned from her mother's world.

Rather than inheriting either as it was, she has drawn her own line between them.

Because she knows the form, she does not fear the moment of breaking out.

MARSHIVERNとの接点WITH MARSHIVERN

舞台芸術を学ぶため、海を渡った。幼いころから続けてきたバレエも、そこでCELESTIEのもとでもう一度見つめ直すことになる。教わったのは、新しい型ではなかった。自分の身体で、何を選ぶか。やがてECHO、BULWARKとともにMARSHIVERNの音へ加わる。古いゲーム音楽の記憶に、LIMEはためらわず現在の息を吹き込む。その一音は、受け継いだものの続きでありながら、まだ誰のものでもない。

To study the performing arts, she crossed the sea. There, she looks again at the ballet she has continued since childhood with CELESTIE. What she learns is not a new form, but what to choose with her own body. In time she joins MARSHIVERN's sound with ECHO and BULWARK. LIME breathes the present into the memories of old game music without hesitation. Her note continues what she inherited, yet still belongs to no one else.

演奏と舞台での役割ON STAGE

トランペットの高音で、曲の景色が変わる一瞬を照らす。With the trumpet's high register, she lights the instant when a song's landscape changes.
ECHOの余韻、BULWARKの重さの上を、最も高く跳ぶ。Above ECHO's resonance and BULWARK's weight, she makes the highest leap.
譜面だけでは決められない「今」を感じたとき、一歩先に音を置く。When she feels a ‘now’ that sheet music alone cannot decide, she places a sound one step ahead.

仲間との関係CONNECTIONS

SIGNAL: 考えてから動く人と、動いてから考える人。よく小言を言われる。それでもLIMEが妙によく覚えているのは、SIGNALの言葉だったりする。One thinks before moving; the other moves before thinking. SIGNAL often scolds her. Even so, LIME remembers SIGNAL's words unusually well.
CELESTIE: バレエそのものを教えた最初の師ではない。幼いころから身につけてきたものを、自分自身の表現として選び直すことを教えた人。Not the first teacher to teach her ballet itself, but the one who taught her to choose what she had carried since childhood again as her own expression.
BULWARK: 若さを理由に軽く扱われることを嫌う彼女を、必要以上に守ろうとはしない。転べば手を貸す。けれど、跳ぶ前に止めることはない。He does not overprotect her from those who treat her lightly because of her youth. If she falls, he lends a hand. But he never stops her before she leaps.