その人を形づくるものTHE CORE
大きな手は、壊すことも、守ることも覚えている。
BULWARKは、先頭に立つことを好まない。
誰かが踏み外しそうなとき、黙ってそこにいる。
笑い声は大きい。けれど、小さなものに触れる手は驚くほど静かだ。
彼の低音も同じ。
押しつぶすためではなく、受け止めるために鳴る。
Large hands remember both how to break and how to protect.
BULWARK does not like to stand at the front.
When someone looks about to lose their footing, he is there without a word.
His laugh is loud. Yet the hands that touch small things are astonishingly quiet.
His low end is the same.
His sound holds others steady rather than crushing them.
MARSHIVERNとの接点WITH MARSHIVERN
FORGEのベースの隣に、BULWARKのトロンボーンが加わる。ECHOが息を吸い、LIMEがその先へ飛び込んでいく。古い仲間と、新しい音が同じ曲の中にいる。BULWARKにとって、それ以上の理由はいらない。過去を語るためではなく、いま隣にいる音を支えるために。
BULWARK's trombone joins beside FORGE's bass. ECHO takes a breath, and LIME leaps beyond it. Old companions and new sounds are in the same song. BULWARK needs no reason beyond that. Not to speak of the past, but to support the sound beside him now.
演奏と舞台での役割ON STAGE
- トロンボーンの太い低音で、ブラス全体に重心を置く。With the trombone's thick low end, he places a center of gravity beneath all the brass.
- FORGEのベースと重なると、弦と息、二つの低音が身体へ届く。When he overlaps with FORGE's bass, two low ends — string and breath — reach the body.
- LIMEが大きく跳ぶほど、その下に動かない支点を残す。The more boldly LIME leaps, the more he leaves an unmoving fulcrum beneath her.
仲間との関係CONNECTIONS
- FORGE
- 血はつながっていない。それでも、兄弟と呼ぶ。演奏前に低い音を一つ合わせれば、それで十分通じる。They are not related by blood. Still, he calls FORGE his brother. One low note together before playing is enough to understand each other.
- ECHO
- 三人の中で、最も多くを知っている人。BULWARKは聞かない。ECHOも、必要以上には話さない。The one who knows the most among the three. BULWARK does not ask, and ECHO does not speak beyond what is necessary.
- LIME
- 若さを面白がっている。転びそうなら支える。だが、進む道まで決めるつもりはない。He enjoys her youthful energy. If she looks about to fall, he supports her. But he has no intention of deciding her path.
OFF STAGE
舞台を降りたその人 Beyond the Stage
- 好きなものLIKES
- 文鳥の世話 大きな手で、小さな羽を整える時間。Caring for Java sparrows: time spent tending tiny feathers with his large hands.
- 嫌いなものDISLIKES
- ホラー映画Horror movies.
