その人を形づくるものTHE CORE
壊れたものを直す手は、いま土に触れている。
多くを語らない。だが、人が崩れそうな瞬間にはよく気づく。
前に立つことより、誰かが踏み出せる場所を残す。
彼の低音は、過去を語らない。
ただ、ここに立つ重さだけを鳴らす。
The hands that repair broken things now touch the soil.
He does not say much. But he notices when someone is about to break.
More than standing in front, he leaves a place where someone can take the next step.
His low end does not speak of the past.
It simply carries the weight of standing here.
MARSHIVERNとの接点WITH MARSHIVERN
RAVENが空へ向かい、HAMMERが背中を押す。その音が遠くへ消えないように、FORGEは足元をつくる。帰るための場所ではない。次の一歩を預けられる地面。MARSHIVERNで、彼が鳴らしているのはそれだ。
RAVEN heads for the sky, and HAMMER pushes from behind. So that sound does not disappear into the distance, FORGE makes the ground beneath their feet. It is not a place to return to, but ground solid enough to trust with the next step. That is what he brings to MARSHIVERN's sound.
演奏と舞台での役割ON STAGE
- HAMMERのキックと結び、曲の心拍を低い場所で刻む。Bound to HAMMER's kick, he marks the heartbeat of the song down low.
- BLADEの刃を、揺れない重さで受け止める。He anchors BLADE's edge with a steady weight.
- BULWARKのトロンボーンと重なると、弦と金管、二つの低音が床を震わせる。When he overlaps with BULWARK's trombone, two low ends — string and brass — make the floor tremble.
仲間との関係CONNECTIONS
- BULWARK
- 血はつながっていない。それでも互いを、兄弟と呼ぶ。言葉が足りないときは、低い音で十分らしい。They are not related by blood. Still, they call each other brothers. When words fall short, low notes seem to be enough.
- ECHO
- 三人だけが知る時間がある。誰も、そのすべてを語ろうとはしない。There is time known only to the three of them. None of them tries to tell all of it.
- RAVEN
- 走ることは止めない。ただ、踏み外さない場所だけを残す。He does not stop him from running. He only leaves a place where he will not lose his footing.
- SIGNAL
- 重さの中へ、ノイズや電子音を差し込む。FORGE自身も知らなかった輪郭を、時々そこから引き出す。She threads noise and electronic sound through his weight, sometimes drawing out contours FORGE himself did not know were there.
OFF STAGE
舞台を降りたその人 Beyond the Stage
- 好きなものLIKES
- 多肉植物と観葉植物を育てることGrowing succulents and houseplants.
- 嫌いなものDISLIKES
- 猫舌Can't handle hot food or drinks.
